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              1970’s                                                 1980’S                                     1990’s                                          2004

The Raymond Revuebar—1969

Gigi - The Raymond Revuebar - 1982

Text Box: The Raymond Revuebar

2004

A trade mark of The Raymond Revuebar shows was its "BUMLINE" - 
Below are a few from each decadeText Box: Text Box: Candy Paramount - Raymond Revuebar               1985
Text Box: Renee L’Astair - Raymond Revuebar 1958

The Birdcage Room

Upstairs at The Raymond Revuebar 1960’s

The V.I.P Lounge Bar

Upstairs at The Raymond Revuebar 2004

Ensemble Act -The Raymond Revuebar - 1963

Gerard and Ensemble Act—The Raymond Revuebar – 1994

Text Box: Finale of show 
The Raymond Revuebar 1969

Finale of show

The Raymond Revuebar 2002

Another feature that became synonymous with The Raymond Revuebar shows and one which audiences would expect to see was the prop.

Huge extravagant props designed by Gerard Simi on which the dancers would perform their acts  would magically appear from behind the festoon in expertly manoeuvred quick changes.   Amazing props such as a Formula 1 racing car,  a moving vintage Rolls Royce, a jewel encrusted crown, a revolving hand,  pouting lips, a Sphinx, a Cobra snake, a shell, a gold safe and the very popular 4 tiered cake that was  created for the 25th Anniversary of The Raymond Revuebar and many, many more

Props40th Anniversary25th AnniversaryElectrica Salsa (Sphinx)Silk Stockings  (Stiletto Shoe)Princess CobraBo Galaxy ( American Football)Dynasty Sunset (The Crown)Tabu Tempest  (Drums)Love Era (The Illusionist's Cage)Scorpio RisingFormula 1Video GamesLove BombGold Rush (Safe)Rita Paparazzi (The Camera)Antenna 2000 (The Radar)American Graffiti ( The Pinball)

1958

Vanity Fair (The Rolls Royce)Morgana Boom (The Canon)Risky Bizness (The Telephone)Cayenne Pepper (Jukebox)Banana Split

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Early archive photos  and 
some creations of Gerard Simi 
at the Raymond Revubar from 1976. Text Box: Home
Text Box: Background
Text Box: Nude Shows 1
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